There are voices that sound like a Saxon gong strike to the collective discomfort – loud, didactic, and always ready to affirm themselves. Dr. Maximilian Krah, the political Instagram filter for doomsday mood, has turned his X account into a bastion of permanent outrage – a kind of ideological whoop-whoop with flashing lights and a free-speech megaphone. First, the tobacco drama: the last cigarette factory in Dresden is closing, and Krah waves the mourning ribbon like a king without a court. That fewer people smoke? An attack on identity. That the market works? Socialism! The modern filter cigarette, once a symbol of progress, becomes for him a relic of an imagined order – as if the West itself had been stubbed out with the final cigarette. But it gets better. When the French UN delegation politely reminds that freedom of speech is not a free pass for illegal hate speech, Krah slams the Soviet comparison on the table. “You can say what is not forbidden” – that, he hisses, is like an old joke about the USSR. That in every rule-of-law democracy this is exactly how the relationship between freedom and law functions – he doesn't care. Logic is for globalists.


And then it turns operatic. Krah loves Europe – but only when it behaves like a toothless continent without content. As soon as someone sets up a digital house rule – like the Digital Services Act – he rages like a squatter with an imperial eagle: “Censorship!” he shouts, quoting Jim Jordan as if it were a seal of quality. That “We need to take back our country” is not equivalent to the Magna Carta doesn’t matter. What counts is that it comes from the USA and sounds like the apocalypse. Speaking of apocalypse: with visible relish, Krah shares the breaking-news collection of decline. Porsche? Profits down 91 percent. VW? Forecast cut. Intel? Cancels its billion-euro plans for Magdeburg. For anyone else, these would be complex economic alarm signals. For Krah, it's simple: climate madness! He writes it as casually as if a parked Tesla were directly responsible for the death of the semiconductor industry. If it were up to him, Greta Thunberg would have long been charged in an economic criminal case – for harmful influence on German stock culture. That global economic cycles, weak Chinese demand, or the fact that electric vehicles grow faster in California than in Zwickau might play a role – forget it. Reality, in Krah’s world, is just an annoying interruption on the path to the final reckoning.


And as if that weren’t enough, along comes Qatar, threatening Europe with a gas cutoff due to environmental regulations. For Krah, it’s clear proof: anyone trying to reduce CO₂ is destroying themselves. He likely dreams of a future where diesel glistens through the rain again and LNG tankers dock at the Reichstag embankment. What remains is a political style that feels like a decibel meter on spin cycle – everything blinks, everything beeps, and no one knows what’s actually going on. Maximilian Krah is not a prophet – he’s the megaphonist of mistrust. A man who injects his followers with the same mixture of doom, whimpering, and rage day after day. And the most ironic part? While he constantly screams about “censorship,” he is allowed to say all of it – daily, loudly, without consequences. That’s called freedom of speech. But to Krah, that’s probably already another scandal.
Investigative journalism requires courage, conviction – and your support.

So agieren sie.
Ständig laut und present sein.
Immer in der „Opferrolle“, dass sich alle gegen sie verschworen haben.
Und natürlich immer einen Schuldigen präsentieren.
Damit sich Niemand selber Fragen muss, warum es bei einem gerade nicht läuft.
Selbstverständlich sind immer die Anderen Schuld.
Europa, Migranten, zensierte Meinungsfreiheit (es ist natürlich Hetze, was die von sich geben)
die Typen sind einfach nur ganz arme rosafarbende ….